vlunkr
Born on June 03, 2014•6014 Karma
What inspires me to work harder is getting to work on things that I enjoy.
Edit: slop not slob
Have the ick for AI-gen, fine. But dismissing the things it solves puts you in a position where you'll never understand other people.
Someone could get studio quality tracks for $10 a month, and add their own vocals and have a high quality sounding song. Is it slop if you pour hours of work into it tweaking every detail? At that point using a DAW is slop then (which I'm sure some people hate music made that way, but a lot of music is made this way).
This seems harder than you suggest. I suggest things to my streaming platform and it reverts to what I call "cruisy shit" within 5-10 songs as though it's playing a game of "6 degrees" between my chosen starting point and what it wants to play.
For me, "The Algorithm To Engage" is more of a "the beatings will continue until morale improves Algorithm".
Previously web search, YouTube, and Reddit would have been my go to but they have all been enshittified.
The idea that only humans can make music is absurd.
> I guess she can listen to slob but maybe just look around a little instead?
The idea that AI generated = slop is absurd.
Humans create just as much, if not more slop. Look at 99% of "professional" output in creative fields. It's awful.
A human with taste steering AI tools can be better than a "classical" human with hard skills but no taste.
The old world is going to be run over:
https://www.youtube.com/watch?v=wWZYP5jn5w4
Completely. Run. Over.
I like the story of Shigeru Miyamoto getting the idea for flying through archways in Star Fox from walking through archways in a Shinto shrine near the Nintendo headquarters. It wasn’t from playing other video games or reading about game development, it was just from thinking creatively about his real world environment right outside the office.
Can you go into that a little more? Do you have specific examples that make you sad?
The first example that comes to my mind is the show Community, which I really enjoy, and which doesn't make me sad at all.
P.S. an article I linked to in my original response was https://www.filfre.net/2025/01/the-crpg-renaissance-part-1-f... which I mentioned as it talks about a historical standout in the genre but puts it in the context of the copycats and the schlock. It's now irrelevant to my comment, but I'd like to link to it anyway.
Community's thing is that it is a meta show. It uses the meta it references to get a point across, make a joke, or provide a spectacle (a good example of spectacle are the Paintball episodes)
What OP referred to, and what I've noticed, was that media nowadays is just a mashup of what came before with little to say about it. Or to put it in other words: not transformative. The creator likes something, and they put it in their work because it's cool. There's nothing wrong with doing just that, but when you start seeing the same thing over and over again in different works, it gets tiresome.
We're so obsessed with filling every waking moment with something that we don't allow ourselves to have the "a-ha!" moment any more, so we default to "what if X and Y?" where X and Y are thoughts on the surface of our mind rather than two unrelated things that somehow click when the default mode network activates. For example: what do archways in a Shinto shrine have to do with a fox piloting a starship around? Absolutely nothing, and yet for Miyamoto that thought made sense.
For example "Remedial Chaos Theory" is where the term "The Darkest Timeline" comes from https://en.wikipedia.org/wiki/Remedial_Chaos_Theory
To give an extreme example, just to make what I'm talking about obvious, this recent Instacart superbowl ad comes to mind: https://www.youtube.com/watch?v=fXGTaGjqERc
Nothing about the scene or anyone in it is really connected to any reality; the whole thing is like a second-level simulation of prior media.
https://en.wikipedia.org/wiki/Simulacra_and_Simulation
The very brief (and bastardised) summary is that we're cutting ourselves from what is real, so we base our art on the fake reality that we're experiencing.
I'll never forget when one of my teachers asked: "who has seen a sheep?" The entire class put up their hand. The next question was "who has seen a live sheep, in front of them?" more than half the class put their hand down. We all know what a sheep looks like, but not because we've been near one.
It's funny that the part everyone quotes from the book (namely the Borges fable and the 'desert of the real itself') is in the introduction. Makes me wonder how many others didn't actually get through it. :)
"Yeah. This is a bottle episode."
https://web.archive.org/web/20100204115941/http://www.gamesp...
> the intent of the original Zelda game (and every Zelda title since) was to give players a "miniature garden that they can put inside their drawer." His inspiration came from the fields, woods, and caves outside Kyoto that he had explored as a boy, and he has always tried to impart this sense of exploration and limitless wonder to players through his Zelda titles.
Your comment exemplifies what a lot of people complain about vibe coding: it works great for greenfielding CRUD apps, but it’s a bitch to use in a real code base.
"But we have documentati..." then give the Agent access to the same docs as humans and it'll use them.
Some version of that happens in every big company or every long running app. Claude isn’t AGI and that prompt isn’t nearly specific enough for anything outside of greenfield.
I actually believe it just surfaces them, humans will tolerate ambiguity like that and deal with it. AI Agents either won't work properly or will just fail to do anything useful.
I do agree that sometimes limitations breed creativity, but that’s not the only thing that can make the magic work.
One thing retro games obviously don’t have is hindsight. Shovel Knight feels like the best NES games, but lacks crap like lives and continues, because it learned from later games like Dark Souls that you can make death punishing without making it un-fun. Hollow knight builds on my favorite games with a couple of decades of lessons on how to make platformers more interesting and less frustrating.
This is all a vast oversimplification. There are obviously hundreds of games coming out every year without gacha mechanics.
The good video games of today are 100% indie.
I love Super Mario Bros as much as the other guy, but a game like Celeste is objectively better in each and every aspect.
I’m a 90’s kid and I had a blast with my N64, gamecube, Wii …
But I’m also having a blast nowadays with :
- Outer Wilds (it’s forbidden to say what it is)
- RimWorld (colony builder)
- Satisfactory (time vacuum)
- Factorio (factory builder)
- A Hat In Time (3d platformer with a lot of love for the n64/gc but with its own character)
- Poi (same)
- Vampire Survivors (dopamine fountain)
- Tinykin (looks like Pikmin but actually the chilliest platformer I played : smooth, calm, beautiful, good design, good music)
- Pizza Tower (Wario Land with a pizza twist and a lot of love)
- Kathy Rain (point and click)
- Stanley Parable (idk what it is but it was fun)
- Evoland
- The Touryist (chill adventure)
- Super Meat Boy (hard platformer)
- Celeste (hard platformer but that loves you and encourages you)
- Hell Pie (3d platformer, ode to Conker Bad Fur Day)
- Stardew Valley
Etc …
There are a lot more but I can already say that each and every game of this list gave me at least as much pleasure as my childhood games.
I find my enjoyment in select retro games and indies nowadays. When I find a game I really like that is not an indie, it is typically something that is explicitly not AAA (such as Octopath Traveler).
Hell, one of my all-time favorites is a indie I olayed a couple of years ago - Ender Lilies. It became the best Metroidvania ever for me, when I thought nothing would ever dethrone Castlevania Aria of Sorrow.
So yeah. If gaming has a future for me, it is with indies.
That’s a period of 15 years. For an American, the NES released in 1985 and the PS2 released in 2000, also a period of 15 years. The fact that your “games of today” list is kind-of competing with four console generations itself is an indication that quality isn’t higher now, even with a considerably higher volume of releases.
Also only two of those games came out in the last 5 years, so things really aren’t looking great for modern games.
So for me, even for the oldest ones, they are still part of the same "era". What I mean by that is that if you buy any of the items in this list in 2026, it will not feel like it's an "old" game.
That aside, is innovation (technological or otherwise) the goal of video games? If past a certain year the best games of every don't seem to be any better than any other, but just different kinds of good, to me that's not stagnation, but rather that the designers collectively figured out how fun games that are not constrained by the hardware. There's a reason, for example, that past a certain point lives systems just about went away, or autosaving nearly completely replaced manual saving.
…I’m a liar, I guess.
And I do like Nintendo games.
I'm too slow to finish a game like Celeste but the soundtrack is an all timer. Lena Raine's music is fantastic.
Super Mario music is great too ... why do we have to tear one thing down to lift another up?
As a rule, strong feelings about issues do not emerge from deep understanding.
if you spend some time on youtube and look at people too young to even have been around play through those games it just becomes evident very quickly how wrong that assessment is. There's an energy even among young audiences when they're playing games like Metal Gear Solid 1&2 for the first time that you hardly see for anything coming out today.
There was a level of artistic talent in that generation, also in animation of the time, that simply doesn't really have a parallel today and brushing it off as nostalgia has a lot to do with he inability of people to recognize that there's no linear progress in art. Talent can be lost, some periods are better than others, just having more cpu and gpu cycles available does not produce better art.
The fact that almost 30 years after games like MGS it's still Kojima and a lot of Japanese guys now with increasingly gray hair who end up getting a lot of awards and pushing the envelope that should tell you something.
That's not just games but entire modes of expressions and genres being invented. So successful the industry is still occupied with reproducing those franchises, not inventing new ones.
Animal Well was great, but it's also so exceptional now, like Expedition 33, that people frantically celebrate each AA title in an otherwise extremely bleak culture.
But what I see is also happening in parallel, is that the people nostalgic from the 90s era of video games are now 30 to 40, are now senior programmers and they are determined to create another batch of truly good games.
Sure the biggest studios have the biggest marketing budget but when you read a little about them, they are just all slowly dying. Most news about big old studios are about firing thousands of people, being bought by other corporations who will also fire people.
Sure, Expedition 33 feels like an outlier, but it’s just a game from ex Ubisoft employees. Ubisoft which is sadly also slowly dying.
I routinely revisit old games with a critical mind. It is an interesting thing to do.
I find that quite a few games I really loved as a kid are special because I played during a formative age, yes. Some are better left in the past.
But I find some that still manage to impress me to this day. They are not good only as a memory, they are just really good.
And a second counter is that my all-time favorite consoles are the SNES and the Switch. I have been gaming ever since the Atari 2600 days. The Switch was released well into my 30s. I have no nostalgia for it.
To expand on it, to not let the thread go to waste - I think there is value in nostalgia, we should not ignore our past, it makes who we are. But it is important to recognize when something is good only for nostalgia.
For example, I adore the original Phantasy Star. It was the first RPG I played and to this day I remember my absolute awe in exploring an open world. One of the first things I did there was to walk along a narrow path in between some mountains and the ocean, only to be slaughtered by a group of spiders way too strong for me. It was amazing. Getting out into the world, exploring caves, it felt like an adventure. And later getting into an starship and exploring other worlds. Alis Landale is to this day my spirit animal - When I am given the option to create a character I often make a girl with auburn hair and name her Alis.
I came back to this game twice in the past years - once playing it on Emulator with an improvement patch, another on the Switch re-release. I still had fun printing grid paper and drawing maps on my own, going into a 4 level cave to get to a cake shop, etc. But I recognize it is pure nostalgia. Recommending that game should only be done in a "if you want to see an early stage 8-bit RPG, you can do a lot worse than Phantasy Star". When I play a new RPG I am chasing the same rush my 8 year old self had when playing that for the first time.
On the opposite end of the spectrum, I have a lot of trouble nowadays to engage with modern "blockbuster" games, or triple-A if you want to call it that. Even darlings such as Elden Ring or BG3 failed to grab me. In current times, I do find my rush typically on Indies, or at most lower spec games when made by giant publishers. It is no coincidence that I still enjoy Nintendo games, I suppose.
Maybe I am just getting old and jaded lol.
On the other hand, I have been finding a lot of fun with Indies. Lower spec games mean seem to have a liberating effect, in that they can experiment with gameplay, aesthetics, style, narrative, etc.
It may be some romanticism on my part, but I think that when a project does not cost hundreds of millions to make, there's less anxiety with taking some risks.
Which brings me to those games made in the 90s. Those games were typically short (an RPG like FF6 that took 50+ hour to finish was gargantuan back in the day). Those games did not have obscene costs, a game flopping didn't mean the studio was closing. Things changed, if for better or worse I can't say.
I doubt it. These products might even be good, but they are not like their early ancestors in several significant ways that will have them relegated to the footnotes of history. Most importantly, they are difficult to distinguish from both their immediate predecessors and their immediate successors. I don't mean to say that people won't have treasured experiences from this time that they long for in 20 years, just that I doubt the console will play as significant of a role in the memory.
They didn't associate but then told me their own anecdotes with the Dreamcast. So my experience matches OPs, its the time/place more than the console.
I wouldn't say I'm nostalgic for the X1, but it was a good piece of hardware.
I clearly remember plugging it to my TV with excitement and being greeted with gigabytes of mandatory updates. And then I discovered that you weren’t able to play the game from the disk and that you need to install it on the fucking hard drive !! And then I discovered that the disc reader was actually slower than my fiber connection which means it was faster to play a game from the online store than installing it from a real disk.
I think I had to wait for at least a full hour just to play my first game.
And on top of that the performance was actually not that good. 30fps everywhere, it was worse than the Nintendo games on Wii / GameCube which usually ran at 50/60fps.
I still own this shit but I never liked it. At least it was useful some month ago when I had to update my Xbox controller firmware (but since I didn’t power it on for years , I also had to wait for updates :) ).
Hence why I find funny the remarks of "PC gaming" is growing, for my crowd it was always there since the 1990's.
If anything, with current prices, it's dying. I don't say this as a 'pc v console' flame. I'm saying that if you want your hobby to be widespread, sustainable and growing it needs to be accessible to a broke highschooler. PC gaming might be affordable to us tech workers, but it isn't to them, and that's a problem. Hell even console gaming has become very expensive in the last couple years. A ps5 is $500, which is reasonable for what you get, but the $70 games and $80 / yr PSN sub adds up.
Also 2-player games.
So yeah, PC gaming is growing... back home in Europe it has always been the number one platform!
God, how do I miss those days...
We simply don't have the same luxury with new games, they can be hit and miss, and reviews are untrustworthy.
The N64 had one of the smallest videogame libraries ever. It had less than 400 titles. How many of those were "Super great" vs how many were utter garbage?
The SNES had 1749!
The vast vast majority were slop.
A lot of the "great" ones are only really great in context, ie no preceding works to draw from and with the technological limits of the time.
Is Pilotwings good? As someone who grew up with similar age flight simulators but not pilot wings, it is extremely mediocre. Same for StarFox and StuntRaceFX even though both were dramatic at the time, but they do not hold up in the slightest. 12fps is not that fun.
>Games that are so good they define or reshape genres are few and far between nowadays.
Yes, this is called a new domain maturing. This is the expected outcome in all new domains. You pick all the low hanging fruit and explore most of the solution space.
Scroll through this list and tell me things were better back then
https://en.wikipedia.org/wiki/List_of_Super_Nintendo_Enterta...
If that were the case, we would only really love the games we grew up with. I stayed at an air bnb that had a ps2. I sat down and played ace air combat; a game I'd never touched on a console I'd never had as a child, and I had a blast.
I also recently picked up fallout 1/2 for a couple bucks on steam, and while the controls and graphics weren't great, I still enjoyed the game even though I never touched it in childhood.
Realistically, there are a few games for the xbox / ps2 era where the graphics really have not aged well, but for the most part I am not a pixel snob, at all.
I’m not sure that’s true? Like, perhaps the preference might generalize from the several games one did play as a child to other games which are similar to the ones one played as a child, with the preference still being a result of which games one played as a child.
I think the community tends to overestimate the ecosystem’s maturity which is one of the big things holding it back, both because it blinds the community to areas that need improvement and leads to bigger shocks when newcomers do unexpectedly run into the rough edges.
"Take this Ruby gem and write the equivalent functionality in Elixir" is something that LLMs are very good at.